Monthly Archives: April 2019

Perspective Basics

I had never invested a ton of time into learning perspective and learning it to an acceptable level over the years has been a challenge. So I started on my journey of understanding, 1 point, 2 point, 3 point perspectives and what tools are out there that can help and guide me. Here are the results of my research. I hope it saves you some effort.

My top recommendation for beginners: “Perspective for Comic Book Artists” after seeing some solid reviews on it I snapped it up. What caught my attention was a review from a art major who said he learned more from the book then in his art classes.  It is a excellent book and teaches you to think a certain way when taking on the challenge of a scene.

If you are digital and creating comics: Clip Studio Pro is a great starting point and has perspective grids at such a great price! I have upgraded to the full version, it is worth every penny.

Already have a base knowledge of perspective? “Vanishing Point: Perspective for Comics from the Ground Up”. I have not totally dived into it, but looks insane and take about a sphere based perspective… brain melted at that point.

Drawing Dynamic Comics by Andy Smith really knocked it out of the park with this book. It is the Swiss army knife of comic drawing and has a few pages on perspective.

Here are some of my favorite utubes….

This youtube from Drawing Tutorials Online is a great starting point video. You can also find a ton of good pod casts by this art teacher on his site or on youtube.

Paper Mate, SharpWriter mechanical pencils RoCk!

I draw with mechanical pencils and over the past few years ended up using Bic’s .7 2H disposables, as it was what I saw at Staples. Even though with every minute of detailed work SNAP, a lead has broken it was tortured I accepted from my love of drawing. Accepting the problem I would pound on its end advancing the lead and move on. It had become a way of life. UNTIL NOW! I ended up discovering Paper Mate mechanical pencils about a month ago and they still snap now and then but something about this pencil makes the lead way stronger. The lead strokes are as fine as needed. The one down fall is the eraser, like a person running its first marathon it wears out fast(though it works great). But HEY who really cares I got tons of erasers.

The can be bought on Amazon in small to big packages, links below…

Use official comic boards when creating comic book storyboards and cover art!

If you want to be a comic book artist be like a pro and use comic boards, especially if you want to sell your work.

I have had the pleasure of working and creating comics for a lot of years and I will never forget walking into the comic store and seeing a set of Blue Line Pro comic boards and thinking, what the heck are these? I researched it an was very poor at the time, but the next day bought all they had, why?

Have you ever looked at a comic page and went, damn look at the detail! This is because they don’t draw on 8×11 or A4 paper they draw on a type of bristol paper called comic boards at 11×17, which has the defined lines to guide the artist to proper North American art size of 10×15 . The art is drawn at this large size then shrunk down to fit a comic page, giving it great detail. I would never use any other type of paper for storyboards.

Comic art boards are important because….

  • They are way more durable, meant to absorb ink and deal with erasing better.
  • It takes a bit to get use too, but you will create better more detailed art.
  • The boards have no printable blue lines to guide you. I have dealt with a ton of artist and when I pay for work and get art not fitting correctly it cost me time to fix, and gives you a bad reputation.
  • When you present your art it will give it more of a wow factor and fans like to buy artist boards.
  • You can use the same boards to create 11×17 art for your posters or cover art. For cover art always think of where the comics logo and details will go, a good rule of thumb is to have a space of 3.5 inches at the top with no primary art details.

I use to have to run all over to comic shops and order boards. We are all so lucky you can buy stuff online. Here are some links on amazon. When you click and buy via the links below you help WhiteFire comics it is win for us both…

Premiere (Strathmore 300) Smooth Comic Book Art Boards. Not available in Canada.

Canson Comic Book Art Boards Pad with Preprinted, Non-Reproducible, Blue Lines, 150 Pound, 11 x 17 Inch, 24 Sheets.

My favorite portfolio holder for my boards, I have one for each comics art. Keeps my art organized, safe and displays well at cons.

Canson Foundation Series Create Your Own Comic Book Kit: 10 Art Boards, 2 Cover, 2 Sketch, 4 Layout, 20 Trading cards, and 3 Sakura Pens, 11 17 Inch.

My Experience with publishing digital comics… so far… Part 1: Comixology

It is a popular topic out there, all us interdependent comics creators trying to understand where to focus and what can we do with the digital version of our comic boos and what can you expect in the experience. This article is all about Comixology.

The most popular, well known choice I think is .to publish your comics to Comixology, we think.. our comic book will be show cased to the world, with Marvel and DC ones, WOOT! The reality is that the Submit part of Comixology is amazing, yet is all about them ONLY accepting quality comic books. Because of this you may end up wasting your time or can take a long time to get approved (it took 6 months in my case). Here are a few surprises I ran into trying to meet their standards…

  • There are PDF quality guidelines, requiring you to provide a high quality PDF. I always like to say “I am a Graphics Technician by trade.” (got the Collage certificates on my wall.) But even with this knowledge I still submitted a few comic frames not meeting the Comixology standards. This caused the delay of the product getting published. But they provided great detail on the issues.
  • Writing and text quality, they actually check your use of grammar and text quality and care about the font used. Of course I got caught here too.
  • Marketing, the are not gonna push your comic book, you have to do it! Your happiness about being in the same place as Marvel and DC could make you cry as Comixology is a sea of comics, people need to know what they are looking for, odds are they know Spiderman, The Avengers, Batman… not “Jimmy the Mighty”.

Now take a deep breath… here is a link to their submission requirements… https://support.comixology.com/customer/en/portal/articles/1302915-please-read-prior-to-submitting-your-pdf-file-

Some other things to take away that could be subjective….

  • I am not a fan of their tech support. I asked some simple questions about how I get paid and it was a waste of time as I am in Canada and they seemed to say what I found on the support forum over and over, not actually answering my question. For your leaning pleasure, here is their details… https://support.comixology.com/customer/portal/articles/1021464-how-will-i-get-paid-and-how-often-
  • You need to create a “Series” and “Company” profile containing Graphics and text. An example of my Forsaken Future one …
    https://www.comixology.com/The-Forsaken-Future/comics-series/81718?ref=cHVibGlzaGVyL3ZpZXcvZGVza3RvcC9saXN0L3Nlcmllc0xpc3Q
  • You do get sales information under “Submit’ in the form an Excel file. Took me forever to figure this out. The link is top right when signed into “Submit”.
  • In a year of doing NO Marketing on my side, Comixology did not sell one issue on its own.
  • It was a lot of work to meet their standards but now I can create a PDF I can submit to any other place like Indy Planet.
  • They offer a DMZ option, still researching this stuff, but I selected it as on as it would protect my comics from theft. Not sure if that makes readers mad ;-).

As well here is the authority on Comixology talking about “Submit” …

Comment below so I know to continue on with these types of posts!